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<article-title>INVESTIGACIÓN/RESEARCH Recibido: 15/07/2009- Revisado:
13/09/2009</article-title>
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    <p><styled-content id="_Hlk196218246"></styled-content><styled-content id="_Hlk196218247"></styled-content></p>
    <p>Revista de Ciencias de la Comunicación e Información. 2025. Vol.
    30, 1-16</p>
    <p>ISSN 2695-5016</p>
    <p>
    </p>
  </boxed-text>
  <sec id="sensory-neuromarketing-the-impact-of-the-senses-on-consumer-behavior">
    <title>SENSORY NEUROMARKETING: THE IMPACT OF THE SENSES ON CONSUMER
    BEHAVIOR</title>
    <p>
    </p>
    <p><bold>Marto Egido Piqueras: </bold><italic>Centro de Estudios
    Universitarios (CEDEU). España.</italic></p>
    <p>
    </p>
    <p><bold>How to cite the article:</bold></p>
    <p>Egido Piqueras, Marto (2025).<bold> </bold>Sensory
    neuromarketing: the impact of the senses on consumer
    behavior. <italic>Revista de Ciencias de la Comunicación e
    Información</italic>, 30,
    1-16. <ext-link ext-link-type="uri" xlink:href="https://doi.org/10.35742/rcci.2025.30.e315">https://doi.org/10.35742/rcci.2025.30.e315</ext-link></p>
    <p> </p>
    <sec id="abstract">
      <title>ABSTRACT</title>
      <p><bold>Introduction:</bold> Sensory neuromarketing integrates
      neuroscience and marketing principles to influence consumer
      behavior through sensory stimulation. In an overstimulated
      environment, this discipline aims to capture consumer attention
      and create emotional connections that drive purchasing decisions.
      <bold>Methodology</bold>: A qualitative systematic literature
      review was conducted, applying inclusion and exclusion criteria to
      select relevant studies on sensory neuromarketing’s impact.
      <bold>Results:</bold> A total of 22 studies were analyzed, showing
      that multisensory strategies are more effective in physical
      environments, while digital marketing predominantly relies on
      single-sense stimulation. <bold>Discussion:</bold> Several
      technical barriers, such as the complexity of integrating multiple
      stimuli, and psychological barriers, including sensory
      habituation, may reduce the effectiveness of sensory marketing
      strategies. <bold>Conclusions:</bold> While sensory neuromarketing
      presents an innovative and effective approach, its implementation
      must be adapted to specific contexts to maximize its impact.</p>
      <p><bold>Keywords:</bold> consumer behavior; sensory stimulation;
      multisensory strategies; sensory neuromarketing; advertising.</p>
    </sec>
    <sec id="introduction">
      <title>1. INTRODUCTION</title>
      <p>Today's society, defined by a constant bombardment of stimuli,
      poses significant challenges for brands seeking to capture
      consumer attention in an effective and distinctive way. Moreover,
      in an environment where consumers are increasingly selective and
      demanding, traditional marketing strategies have been limited in
      their ability to influence purchasing decisions (Erenkol &amp;
      Merve, 2015). In this scenario, sensory neuromarketing emerges as
      a promising alternative, since it aims to stimulate the senses to
      bring about emotional and cognitive responses whose purpose is to
      significantly influence consumers' perceptions and, ultimately,
      their purchasing behavior (De Garcillá, 2015). According to
      Yactayo-Moreno and Vargas-Merino (2021), it can be considered
      as:</p>
      <p>[…] an innovative marketing strategy that uses stimuli and
      elements that consumers perceive through their senses to influence
      their perception, judgment, and behavior. It is also the study
      that links the senses of consumers and the application of the
      understanding of sensation and perception to the field of
      marketing. Therefore, it can be said that it is a strategy that
      through sensory stimuli helps the consumer to participate in the
      purchase by interacting with the five senses. (p. 4)</p>
      <p>In a global context, sensory neuromarketing has been employed
      in different ways according to the cultural and economic
      specificities of each region. For example, in Japan, luxury stores
      have integrated specific scents into their facilities to create a
      unconscious association between fragrance and brand exclusivity
      (Jang &amp; Lee, 2019). In Germany, the automotive industry has
      implemented tactile stimuli in vehicle interiors to improve
      consumers' perceptions of quality and comfort (Abdolmohamad et
      al., 2022). Similarly, in Latin America, sectors such as food have
      resorted to olfactory marketing strategies in supermarkets to
      stimulate impulse purchases through the aroma of freshly baked
      goods or freshly brewed coffee (Cuesta et al., 2020). These cases
      show that the effectiveness of sensory neuromarketing depends not
      only on the type of stimulus used, but also on the socioeconomic
      and cultural context in which it is implemented.</p>
      <p>Thus, in general, neuromarketing combines the principles of
      neuroscience with marketing practices to understand and exploit
      consumers' brain responses to advertising stimuli through the use
      of advanced brain imaging technologies and other physiological
      measurement techniques. Its main goal is to optimize marketing
      strategies by designing messages and advertising campaigns that
      effectively impact consumers' brains, thus influencing their
      purchasing behavior in a predictive and measurable way
      (Jiménez-Marín et al., 2019). Within this discipline, sensory
      neuromarketing focuses specifically on the way in which sensory
      stimuli, such as visual, auditory, olfactory, and tactile, affect
      brain activity:</p>
      <p>The main function of sensitivity is to identify those elements
      presented to an organism in the environment. The sensory
      development that humans have achieved allows them to have an
      information process of the environment and to identify stimuli. In
      terms of identity applied in marketing, it is stated that humans
      have a sensitivity that allows them to distinguish several
      sensitive qualities between products and services. Humans have
      sufficient capacities to identify a brand through hearing and
      sight, but also through smell, among other senses. (Fornelli &amp;
      Sánchez, 2016, p. 18)</p>
      <p>This approach is based on the idea that the senses play a
      fundamental role in forming the perceptions and emotions that
      drive consumer decisions. Therefore, sensory neuromarketing
      examines how different stimuli can activate areas of the brain
      associated with positive emotional responses in order to create a
      stronger memory and emotional connection with the product or brand
      (Yactayo-Moreno &amp; Vargas-Merino, 2021).</p>
      <p>Thus, one of the goals of sensory neuromarketing is to
      determine which types of sensory stimuli in the advertising
      environment are most effective in producing emotional responses
      that translate into purchase decisions. Studies in this area have
      shown that certain colors, sounds, or even aromas can enhance the
      perception of a product and increase its attractiveness
      (Abdolmohamad et al., 2022). For example, the strategic use of
      warm colors is associated with feelings of comfort and
      attractiveness, while certain aromas can evoke pleasant memories
      and increase the predisposition to purchase (De Garcillá, 2015).
      It should be noted that sensory neuromarketing also focuses on the
      synergy between different sensory stimuli and how their
      combination can be used to strengthen the effectiveness of
      advertising campaigns. Therefore, understanding how and why
      certain stimuli influence purchase decisions is extremely
      important for marketers to design multisensory experiences that
      capture consumers' attention and promote a deep and lasting
      emotional connection with the brand (Rodas-Areiza &amp;
      Montoya-Restrepo, 2018). In this sense:</p>
      <p>In order for a company to be successful in using sensory
      marketing, it is necessary that the strategy must be integrated.
      This means using everyday techniques that influence all the senses
      in some way to try to sell more. It is not enough to see or talk
      about the product; it must be experienced and associated with a
      certain lifestyle. Sensory integration is of paramount importance,
      since, otherwise, the effect on consumers can be
      counterproductive, and, therefore, will lead to confusion and, far
      from improving perception, it would bring negative results: an
      anti-marketing would result. Therefore, it is possible to first
      define the senses managed by sensory marketing, a preliminary step
      to propose a strategy in line with the brand image. Thus,
      olfactory, tactile, sound and gustatory marketing can be
      distinguished. (Jiménez-Marín et al., 2019, p. 124)</p>
      <p>In this way, it is understood that today, when individuals are
      constantly bombarded by an incessant flow of information, sensory
      neuromarketing is presented as a potentially powerful tool to
      penetrate the barrier of insensitivity generated by this excess
      (Erenkol &amp; Merve, 2015). By creating more meaningful
      interactions, this discipline seeks to evoke emotional responses
      in consumers that are directly linked to their brands (De
      Garcillá, 2015). However, the debate on the effectiveness of
      different types of sensory stimuli is extensive and full of
      complexities. Academics and marketers continue to explore which of
      the senses—sight, hearing, smell, taste, or touch—has the greatest
      impact on consumer behavior in different shopping contexts. This
      discussion becomes even more complex when considering differences
      across industries (Erenkol &amp; Merve, 2015; Jiménez-Marín et
      al., 2019; Rodas-Areiza &amp; Montoya-Restrepo, 2018).</p>
      <p>In this regard, it is important to note that the selection of
      sensory stimuli varies significantly depending on the environment
      in which marketing campaigns are implemented, whether in a
      face-to-face context, such as in retail stores, or in a digital
      context, such as on e-commerce platforms. This variability is also
      observed in the specific industries in which sensory
      neuromarketing is applied. Sectors such as fashion, food or
      entertainment may use different approaches to sensory stimulation,
      depending on the particular characteristics and expectations of
      their target audience. Given this complexity and the need for a
      better understanding of how different sensory stimuli affect
      consumer behavior in different conditions and sectors, this study
      aims to analyze the application and effectiveness of sensory
      neuromarketing through a review of the existing literature. The
      purpose of this analysis is to provide a clear vision of how
      different sensory techniques can be optimized to improve marketing
      effectiveness in an increasingly competitive and
      stimulus-saturated world.</p>
    </sec>
    <sec id="objectives">
      <title>2. OBJECTIVES</title>
      <p>In today's environment, marked by an increasing stimulus
      saturation and increasingly critical consumers, sensory
      neuromarketing is emerging as an innovative strategy to capture
      attention and guide purchase decisions. However, questions remain
      about which senses are prioritized and why, and how they are
      adapted to different contexts and industries. The research
      presented seeks to address these unknowns through a systematic
      review of the literature, focusing on the interaction between
      sensory stimulation and consumer behavior. The question that
      guides this analysis is fundamental: How does the stimulation of
      the senses through neuromarketing influence consumers’ decisions
      in different fields and commercial sectors? Based on this, the
      following research objectives are defined.</p>
      <sec id="general-objective">
        <title>2.1. General objective</title>
        <list list-type="bullet">
          <list-item>
            <p>To analyze, through a systematic review of the current
            literature, the use of different senses in advertising
            campaigns and their effectiveness in influencing consumer
            behavior. </p>
          </list-item>
        </list>
      </sec>
      <sec id="specific-objectives">
        <title>2.2. Specific objectives</title>
        <list list-type="order">
          <list-item>
            <p>Identify the most frequently used senses in
            neuromarketing strategies.</p>
          </list-item>
          <list-item>
            <p>Analyze the influence of context (face-to-face or
            digital) and industry on the choice of senses stimulated in
            marketing campaigns.</p>
          </list-item>
          <list-item>
            <p>Explore the technical and psychological limitations
            associated with sensory stimulation in different commercial
            and advertising environments.</p>
          </list-item>
          <list-item>
            <p>Evaluate the effectiveness of multisensory strategies
            compared to those that focus on a single sense.</p>
          </list-item>
        </list>
      </sec>
    </sec>
    <sec id="methodology">
      <title>3. METHODOLOGY</title>
      <p>The bibliographic review was chosen as the research design for
      the present work. As such, its scope is exploratory-descriptive
      because, on the one hand, it focuses on &quot;studying a
      little-studied topic or research problem&quot; or &quot;novel
      phenomenon&quot; (Hernández-Sampieri et al., 2014, p. 91) and, on
      the other hand, it &quot;seeks to specify the properties,
      characteristics and profiles of people, groups, communities,
      processes, objects or any other phenomenon that is the subject of
      an analysis&quot; (Hernández-Sampieri et al., 2014, p. 92).</p>
      <p>The review carried out, then, is formed as a starting point for
      interventions or more in-depth research. It is, therefore, a work
      with a qualitative approach, since &quot;it tries to capture the
      core of interest and the key elements of the reality studied, thus
      facilitating the understanding of meanings, development contexts
      and processes&quot; (Tonon, 2011, p. 2). It was decided to conduct
      the literature review by adapting the PRISMA protocol (Page et
      al., 2021) due to the usefulness of its process in identifying,
      screening, eligibility, and inclusion of articles using previously
      established inclusion and exclusion criteria. As mentioned above,
      this review focuses on the analysis of the use of sensory
      neuromarketing, whose tools aim to capture the attention of
      consumers by stimulating their senses, thus generating emotional
      and cognitive responses that influence their perception and
      decision making.</p>
      <p>According to the objective of the research, the object of study
      is the use of different senses in advertising campaigns and their
      effectiveness in influencing consumer behavior. Therefore, the
      search terms were limited to: consumer behavior—consumer behavior;
      sensory stimulation—sensory stimulation; multisensory
      strategies—multisensory strategies; sensory neuromarketing—sensory
      neuromarketing. These were linked in different ways with Boolean
      operators such as &quot;OR&quot;, &quot;AND&quot; and
      &quot;NOT&quot; in open databases (free and open access), such as
      Dialnet, Directory of Open Access Journals (DOAJ), Scielo and
      Google Academic, to finally proceed with the selection of articles
      to be analyzed.</p>
      <p>For the search and selection process, it was necessary to
      delimit the inclusion criteria: year of publication (between 2015
      and 2024), language (English and Spanish), type of document
      (articles from popular scientific journals) and type of study
      (reviews, experimental, applied interventions, case studies and
      controls). Those that did not meet these criteria were excluded
      (published before 2015; in a language other than Spanish or
      English; thesis, books, book chapters; opinion articles,
      intervention proposals without application). The final selection
      was based on the qualitative evaluation of the works, their
      content and their results. The process is shown in the following
      table (Table 1). The information is analyzed qualitatively and in
      depth in the discussion section.</p>
      <p><bold>Table 1. </bold><italic>Procedure for searching and
      selecting articles</italic></p>
      <table-wrap>
        <table>
          <tbody>
            <tr>
              <td colspan="2"><p><bold>Phase</bold></p></td>
              <td><p><bold>Articles</bold></p></td>
            </tr>
            <tr>
              <td rowspan="2"><p><bold>Identification</bold></p></td>
              <td><p>Articles identified after searching various
              databases</p></td>
              <td><p>7910</p></td>
            </tr>
            <tr>
              <td><p>Articles identified after applying inclusion
              criteria</p></td>
              <td><p>129</p></td>
            </tr>
            <tr>
              <td rowspan="2"><p><bold>Screening</bold></p></td>
              <td><p>Abstracts excluded</p></td>
              <td><p>70</p></td>
            </tr>
            <tr>
              <td><p>Abstracts screened</p></td>
              <td><p>59</p></td>
            </tr>
            <tr>
              <td rowspan="2"><p><bold>Eligibility</bold></p></td>
              <td><p>Full studies excluded</p></td>
              <td><p>24</p></td>
            </tr>
            <tr>
              <td><p>Full studies for detailed assessment</p></td>
              <td><p>35</p></td>
            </tr>
            <tr>
              <td><p><bold>Inclusion</bold></p></td>
              <td><p>Studies included after qualitative
              assessment</p></td>
              <td><p><bold>22</bold></p></td>
            </tr>
          </tbody>
        </table>
      </table-wrap>
      <p><bold>Source:</bold><italic> </italic>Own elaboration<italic>
      </italic>(2022) from Page et al. (2021).</p>
      <p>As shown in the table above, the search and selection process
      of articles for the sensory neuromarketing study initially
      identified 7,910 articles from various databases. After applying
      the inclusion criteria, the number was reduced to 129 articles. Of
      these, 59 abstracts were reviewed and 70 that did not meet the
      established criteria were eliminated. Subsequently, 35 studies
      were considered for detailed evaluation and 24 were excluded.
      Finally, 19 studies were included in the review after a
      qualitative assessment of their content and relevance to the topic
      under review. The discussion of this study is based on the
      analysis of these 22 selected studies, which provide the necessary
      empirical basis to address the objectives set.</p>
    </sec>
    <sec id="discussion">
      <title>4. DISCUSSION</title>
      <p>This section deals with the analysis of the selected papers,
      included in Table 2. It focuses on the evaluation of the different
      senses used in neuromarketing and their effectiveness depending on
      the context and industry. It also examines the influence of
      variables such as the digital or physical environment and the
      nature of the industry on the choice and effectiveness of sensory
      stimuli. The technical and psychological limitations that these
      strategies face in their practical application are also
      identified. Finally, a comparative evaluation of strategies that
      use multiple stimuli versus those that focus on a single sense is
      conducted to determine which approach is more effective in
      capturing and satisfying consumer expectations. In this way, the
      aim is to provide a holistic vision of the challenges and
      opportunities presented by sensory neuromarketing within the field
      of contemporary marketing.</p>
      <p><bold>Table 2.</bold> <italic>Various papers with their
      authors</italic></p>
      <table-wrap>
        <table>
          <tbody>
            <tr>
              <td><p><bold>Author/Year</bold></p></td>
              <td><p><bold>Study title</bold></p></td>
              <td><p><bold>Type of research</bold></p></td>
              <td><p><bold>Involved senses</bold></p></td>
              <td><p><bold>Key results</bold></p></td>
            </tr>
            <tr>
              <td><p><bold>Abdolmohamad et al. (2022)</bold></p></td>
              <td><p>The effect of multi-sensory marketing on consumer
              behavior</p></td>
              <td><p>Experimental</p></td>
              <td><p>Sight, hearing, smell</p></td>
              <td><p>Multi-sensory strategies increase brand
              recall.</p></td>
            </tr>
            <tr>
              <td><p><bold>Cuesta et al. (2020)</bold></p></td>
              <td><p>Influence of olfactory and visual sensory stimuli
              in the perfume-purchase decision</p></td>
              <td><p>Case Study</p></td>
              <td><p>Smell, sight</p></td>
              <td><p>The fragrance influences 75% of perfume purchase
              decisions.</p></td>
            </tr>
            <tr>
              <td><p><bold>Jiménez-Marín et al. (2019)</bold></p></td>
              <td><p>Sensory marketing: the concept, its techniques and
              its application at the point of sale</p></td>
              <td><p>Review</p></td>
              <td><p>Sight, hearing, touch</p></td>
              <td><p>The use of tactile stimuli in stores improves the
              perception of product quality.</p></td>
            </tr>
            <tr>
              <td><p><bold>Jang &amp; Lee (2019)</bold></p></td>
              <td><p>Applying effective sensory marketing to sustainable
              coffee shop business management</p></td>
              <td><p>Experimental</p></td>
              <td><p>Smell, taste</p></td>
              <td><p>The combination of fragrances and flavors increases
              customer loyalty in coffee shops.</p></td>
            </tr>
            <tr>
              <td><p><bold>Rosenlacher &amp; Tichy
              (2020)</bold></p></td>
              <td><p>The effect of sensory marketing from the
              perspective of neuromarketing</p></td>
              <td><p>Review</p></td>
              <td><p>Sight, hearing</p></td>
              <td><p>In digital advertising, visual and auditory stimuli
              increase the conversion rates.</p></td>
            </tr>
          </tbody>
        </table>
      </table-wrap>
      <p><bold>Source:</bold><italic> </italic>Own elaboration
      (2024).</p>
      <sec id="the-predominance-of-senses-in-sensory-neuromarketing">
        <title>4.1. The predominance of senses in sensory
        neuromarketing</title>
        <p>Sensory neuromarketing is based on the stimulation of the
        five senses to influence consumers' purchasing decisions
        (Jiménez-Marín et al., 2019). However, various studies show that
        not all senses have the same relevance or generate the same
        impact on consumer behavior (Erenkol &amp; Merve, 2015). The
        impact of sensory neuromarketing varies significantly depending
        on markets and cultures. In the United States, the entertainment
        industry has used sound and visual effects in advertisements to
        evoke intense emotions in viewers, as evidenced by the use of
        immersive soundscapes in movie theaters and streaming platforms
        (Rosenlacher &amp; Tichy, 2020). In contrast, in emerging
        markets such as India and Brazil, where competition from local
        brands is high, companies have begun to experiment with taste
        and smell marketing strategies at fairs and gastronomic events
        to reinforce the identity of their products (Ortegón-Cortázar
        &amp; Gómez, 2016). This approach suggests that sensory
        preferences can be shaped by factors such as cultural exposure
        and familiarity with certain stimuli, highlighting the
        importance of adapting neuromarketing strategies to each
        specific context.</p>
        <p>In this regard, Yugcha et al. (2020) state that:</p>
        <p>Humans can remember 1% of what they touch, 2% of what they
        hear, 5% of what they see, 15% of what they taste, and 35% of
        what they smell; therefore, as the senses are activated, sensory
        effects stimulate memories that are associated with emotions and
        remain in the consumer's mind (p. 147).</p>
        <p>However, sight and hearing stand out as the predominant
        senses in marketing strategies in both digital and physical
        environments (Nadanyiova et al., 2018). According to
        Fondevila-Gascón et al. (2023):</p>
        <p>90% of the information our brains perceive is visual. For 80%
        of consumers, color is the primary attribute of brand
        recognition and for 85%, it triggers a purchase decision. It
        also responds to different moods. The interactive factor can
        also condition emotions, as proven by the Hybrid broadcast
        broadband TV (HbbTV) audiovisual standard. The external
        determinants (those that come from the stimulus) are intensity,
        volume, contrast, motion, novelty, and repetition. The internal
        (coming from the individual) are habits, social elements and
        motivations. [The acoustic sense is the second most used sense
        (2% of the sounds heard are remembered), and smell generates a
        memory of 35%. 75% of personal emotions are related to smells,
        hence their influence on the emotional state. The sense of taste
        is the least studied of all the sensory marketing senses, and
        its management has been applied mainly in the field of
        gastronomy. [...] Tactical marketing is experienced in
        consideration of that tact that favors the brand identity of
        companies (p. 135).</p>
        <p>So, in general, the sense of sight is considered the most
        important in marketing campaigns (Jiménez-Marín et al., 2019;
        Ortegón-Cortázar &amp; Gómez, 2016). Visual stimuli have the
        immediate ability to capture consumers' attention, either
        through the use of colors, shapes, or visual patterns in
        advertisements (Fondevila-Gascón et al., 2023). In digital
        environments, visual stimuli become even more relevant due to
        the predominantly visual nature of screen interaction (Yugcha et
        al., 2020).</p>
        <p>The ear is the second most important sense in sensory
        neuromarketing strategies. Auditory experiences, such as
        background music in stores or sound effects in advertisements,
        have the ability to evoke emotions and enhance the consumer
        experience (Rupini &amp; Nandagopal, 2015). The right music in a
        shopping environment can significantly increase the amount of
        time consumers spend in a store, increasing the likelihood of
        purchase (Rosenlacher &amp; Tichy, 2020).</p>
        <p>Although smell, taste, and touch do not have the same
        universality as sight or hearing, these senses are fundamental
        in a face-to-face shopping context and in specific industries
        such as food or retail. The use of scents in clothing stores or
        coffee shops creates an emotional connection to the brand and
        evokes memories that increase consumer loyalty (Cuesta et al.,
        2020; Fornelli &amp; Sánchez, 2016; Jang &amp; Lee, 2019).</p>
      </sec>
      <sec id="contextandindustry-keyfactorsinsensoryselection">
        <title>4.2. Contextandindustry:
        keyfactorsinsensoryselection</title>
        <p>The impact of sensory neuromarketing cannot be considered in
        isolation, because: </p>
        <p>Marketing managers are using different techniques to enhance
        the consumer experience through their senses. That is, the
        practice of traditional visual merchandising is being
        cannibalized by seduction merchandising, in which more than one
        sense is used to enhance the consumer's feeling at the point of
        sale (Marín-Dueñas &amp; Gómez-Carmona, 2022, p. 27).</p>
        <p>It is also necessary to take into account that its
        effectiveness varies significantly depending on the context in
        which it is applied and the industry to which it is directed
        (Yugcha et al., 2020). Throughout the literature review, it has
        been observed that both the shopping environment (physical or
        digital) and the nature of the sector decisively influence the
        choice of sensory stimuli used in marketing campaigns (Cristófol
        et al., 2024; Marín-Dueñas &amp; Gómez-Carmona, 2021).</p>
        <p>In physical retail spaces, the ability to interact with
        multiple senses provides a significant advantage for brands
        (Yugcha et al., 2020). In this context, multisensory strategies
        are more effective as they allow the activation of sight,
        hearing, smell, touch and, in certain areas, taste (Abdolmohamad
        et al., 2022). Retail stores and department stores typically use
        specific scents to create an atmosphere that enhances the
        customer experience. In addition, the visual arrangement of
        products and ambient music play a key role in guiding the
        consumer toward a favorable purchase decision (Cuesta et al.,
        2020).</p>
        <p>In contrast, in digital environments, the sensory experience
        is mainly limited to sight and hearing. In fact, Yugcha et al.
        (2020) point out that &quot;applying sensory marketing to an
        online purchase has its limitations because the five senses
        cannot be activated, but the interface can be customized to make
        it more attractive to users&quot; (p. 147). Thus, brands must
        adapt to these limitations by designing attractive visual
        experiences and incorporating sound effects that hold the user's
        attention (Aljumaha et al., 2022). Despite these limitations,
        recent studies suggest that the intelligent use of visual
        stimuli, such as color and graphic composition, can compensate
        for the lack of olfactory or tactile stimuli and still have a
        significant impact on consumer perception (Fondevila-Gascón et
        al., 2023; Yugcha et al., 2020).</p>
        <p>In addition, the industry in which sensory neuromarketing is
        implemented is also a determining factor in the selection of the
        senses that are stimulated. In sectors such as fashion and
        entertainment, visual stimuli predominate, since consumers value
        aesthetic characteristics and brand image (Cristófol et al.,
        2024; Marín-Dueñas &amp; Gómez-Carmona, 2021; Marín-Dueñas &amp;
        Gómez-Carmona, 2022). On the other hand, in the food or
        perfumery industry, taste and smell acquire greater relevance
        due to their direct influence on the perception of products and
        the purchase decision (Cuesta et al., 2020; Fornelli &amp;
        Sánchez, 2016; Jang &amp; Lee, 2019; Roopchund et al., 2016). In
        this sense, sensory adaptation to the expectations of the target
        audience becomes a key aspect for the success of marketing
        strategies (Aljumaha et al., 2022).</p>
        <p>In this way, the effectiveness of sensory neuromarketing is
        closely linked to the context of use and the characteristics of
        the industry. Understanding these variations allows marketers to
        develop more personalized and effective strategies that maximize
        the sensory impact on consumer behavior.</p>
      </sec>
      <sec id="technical-and-psychological-barriersinsensorystimulation">
        <title>4.3. Technical and psychological
        barriersinsensorystimulation</title>
        <p>Despite the benefits and potential of sensory neuromarketing,
        its implementation faces a number of technical and psychological
        barriers that limit its effectiveness in certain circumstances
        due to the inherent complexity of human behavior and the
        difficulties of current technologies to accurately measure and
        activate the senses in marketing contexts (Fahrur &amp;
        Wijayanti, 2018).</p>
        <p>One of the main technical challenges is the difficulty of
        integrating multiple sensory stimuli in controlled environments.
        The synergy between different senses can be complicated to
        manage due to the limitations of available technology,
        especially in digital environments where it is not possible to
        effectively stimulate all senses, which in turn reduces the
        ability to create a truly multisensory experience (Abdolmohamad
        et al., 2022).</p>
        <p>Another technical barrier relates to the accuracy of
        measuring sensory responses. Although technologies such as
        electroencephalography (EEG) and functional magnetic resonance
        imaging (fMRI) make it possible to monitor brain activity, these
        tools are not yet accurate enough to exactly predict consumer
        responses to certain stimuli. Interpreting the data is also
        complex because the response to a stimulus can be influenced by
        external factors that are difficult to isolate in a controlled
        experiment (Kumar &amp; Kumar, 2020; Wala et al., 2019).</p>
        <p>In the field of psychology, one of the most important
        barriers is sensory habituation, a phenomenon that refers to the
        decrease in an individual's response to a sensory stimulus after
        repeated exposure (Moreira et al., 2017). In the case of sensory
        marketing, if a consumer is constantly exposed to the same
        stimuli (e.g., a specific fragrance in a store), the emotional
        response is likely to decrease over time, negatively affecting
        the effectiveness of the strategy (Géci et al., 2017). In
        addition, individual differences in sensory perception pose a
        challenge. Not all consumers respond to the same stimuli in the
        same way (Rosenlacher &amp; Tichy, 2020). Factors such as age,
        gender, culture, and prior experiences influence how sensory
        stimuli are perceived and therefore how they affect consumer
        behavior. This makes it difficult to develop universal sensory
        strategies that are effective all segments of the population
        (Kumar &amp; Kumar, 2020).</p>
        <p>Another aspect that acts as a psychological barrier is the
        perception of sensory neuromarketing as a manipulative tool.
        Some consumers may feel uncomfortable or distrust brands that
        use these techniques, perceiving them as an invasion of their
        personal space or as an attempt to influence their decisions in
        an unconscious way (De Garcillá, 2015). This perception can lead
        to a resistance towards the brand and, ultimately, a rejection
        of advertising campaigns that use sensory stimuli.</p>
      </sec>
      <sec id="multisensory-strategies-vs.-monosensory-strategies">
        <title>4.4. Multisensory strategies vs. monosensory
        strategies</title>
        <p>In the field of sensory neuromarketing, there is a debate
        about the comparative effectiveness of multisensory strategies
        versus those that focus on a single sense. While the former seek
        to activate multiple senses simultaneously to create a richer
        and more memorable experience, the latter focus on optimizing
        the stimulation of a single sense to create a direct and clear
        connection with the consumer. Both approaches have their
        advantages and challenges, which largely depend on the context
        and specific objectives of the campaign (Abdolmohamad et al.,
        2022).</p>
        <p>Multisensory strategies are based on the premise that the
        more senses that are activated, the more immersive and effective
        the marketing experience will be (Rosenlacher &amp; Tichy,
        2020). By combining visual, auditory, olfactory, and/or tactile
        stimuli, the goal is to generate a stronger emotional response
        and retention in the consumer's memory. Several studies have
        shown that the synergy between multiple senses not only
        increases the positive perception of a brand or product but also
        strengthens consumer loyalty by creating an experience that is
        perceived as unique and personalized (Cuesta et al., 2020).</p>
        <p>However, one of the challenges of multisensory strategies is
        the complexity of their implementation. Activating multiple
        senses in a coordinated way requires careful planning and
        considerable resources, both technological and logistical.
        Moreover, it is not always possible to apply a multisensory
        strategy in all contexts, especially in digital environments
        where technological limitations prevent the stimulation of
        senses such as smell, taste, and texture (Rupini &amp;
        Nandagopal, 2015).</p>
        <p>On the other hand, monosensory strategies focus on optimizing
        a single sense, usually vision or hearing, depending on the
        context. They are usually easier to implement and are
        particularly effective in environments where the activation of
        other senses is limited or unnecessary. Although they may seem
        less impactful than multisensory, their unidirectional approach
        is highly effective if properly designed (Yactayo-Moreno &amp;
        Vargas-Merino, 2021). In the radio industry, your campaign
        focuses exclusively on auditory stimuli, and with a memorable
        soundtrack or the use of sound effects, it can be equally
        powerful in creating an emotional connection with the consumer.
        In the same way, it happens with advertising posters, whose
        colors, photographs, and lighting can create such a connection
        (Abdolmohamad et al., 2022; Fondevila-Gascón et al., 2023).
        However, the risk of monosensory strategies is the possible
        saturation or habituation of the consumer to a single stimulus
        (Fornelli &amp; Sánchez 2016). If a campaign is based solely on
        visual stimuli, the consumer may quickly lose interest or fail
        to associate the stimulus with the brand in a meaningful way,
        reducing effectiveness in the long run. In this sense:</p>
        <p>Sensory differentiation should be based on the component of
        innovation and the search for the uniqueness of the sensory
        stimulation so that it can be recognized by the consumer, either
        through a single sensory sense or through the integration of
        many. In fact, sensory differentiation is easier than
        traditional functional or utilitarian differentiation in
        marketing, because the attributes of the latter tend to be the
        same or very similar among competitors, requiring more effort on
        the part of the company. Therefore, the search for uniqueness
        involves systematic and creative work to identify and exploit
        specific sensory attributes not used by the competition, which
        that optimize the experience. Sensory favorability is defined as
        the search, identification and typing of positive and pleasant
        sensory attributes from the consumer's point of view. This
        phenomenon, due to the fact that the number of products offered
        has increased, has made it more difficult to decide which
        product to purchase, so permanent consumer research should be a
        strategic and mandatory aspect of companies to transform the
        information studied into competitive advantages that complement
        the value proposition. (Ortegón-Cortázar &amp; Gómez-Rodríguez,
        2016, p. 76)</p>
        <p>In this line, it is recognized that multisensory strategies
        tend to be more effective in creating immersive and memorable
        experiences, especially in physical environments where multiple
        senses can be activated simultaneously. However, they require a
        greater investment of resources and careful coordination to
        ensure that sensory stimuli complement each other. On the other
        hand, monosensory strategies, although simpler to implement, are
        effective in environments where the activation of multiple
        senses is not possible or necessary. Their success depends
        largely on the quality and design of the sensory stimulus used,
        as well as the brand's ability to hold the consumer's attention
        through a single sensory channel. Both have their place in
        sensory marketing, and the choice of which to use depends on the
        context, the resources available, and the specific objectives of
        the campaign. An appropriate combination of both can maximize
        the impact on consumer behavior and adapt to the needs and
        expectations of the market.</p>
      </sec>
    </sec>
    <sec id="conclusions">
      <title>5. CONCLUSIONS</title>
      <p>The present study has made it possible to analyze the influence
      of sensory neuromarketing on consumer behavior, to address the
      different senses that are activated in marketing campaigns, and to
      evaluate their effectiveness depending on the context and
      industry. By reviewing the existing literature, the objectives
      were achieved and a clear vision of the opportunities and
      challenges of this strategy was obtained. First, it was found that
      the senses most used in neuromarketing strategies are sight and
      hearing, due to their ability to capture the consumer's attention
      immediately. However, the integration of other senses such as
      smell, taste and touch has proven to be key in specific sectors
      such as retail or food, where these stimuli can create a deeper
      emotional connection with the brand.</p>
      <p>Second, it has been shown that the effectiveness of sensory
      neuromarketing depends significantly on the context (physical or
      digital) and the industry in which it is applied. While
      multisensory strategies are more effective in physical
      environments, in digital environments sensory stimulation is
      mainly limited to sight and hearing. This difference forces
      marketers to adapt their sensory strategies to the channel being
      used to maximize their impact. Technical and psychological
      barriers that limit the implementation of sensory neuromarketing
      have also been identified. Technological limitations in accurately
      measuring sensory responses and possible consumer habituation to
      repeated stimuli are challenges that must be addressed to improve
      the effectiveness of these strategies. In addition, the perception
      of neuromarketing as a manipulative tool can create resistance in
      some consumers and negatively affect the relationship with the
      brand.</p>
      <p>Finally, the comparative effectiveness of multisensory and
      monosensory strategies was evaluated. The former tends to be more
      effective in creating immersive and memorable experiences;
      however, the latter can be equally important if the chosen sense
      is properly optimized, as evidenced in certain sectors such as
      visual or auditory advertising.</p>
      <p><bold>Practical recommendations</bold></p>
      <p>Based on the findings of this research, the following
      strategies are suggested to optimize the impact of sensory
      neuromarketing on consumer behavior: Adapt multisensory strategies
      to the digital environment since sensory neuromarketing is more
      effective in physical environments, the use of emerging
      technologies such as virtual reality and artificial intelligence
      to simulate sensory experiences on digital platforms is
      recommended. Tools such as 3D product testing or the incorporation
      of immersive sound can enhance consumer perception in online
      spaces. To prevent consumers from becoming accustomed to certain
      sensory stimuli and reduce their impact, brands should regularly
      vary the sensory elements used in their campaigns. Alternating
      colors, modifying scents, and changing sound patterns can keep
      consumers interested and prolong the effectiveness of strategies.
      Personalize the sensory experience according to the target
      audience Different audiences respond differently to sensory
      stimuli. It is recommended to conduct prior research to determine
      which senses predominate in each market segment, and then tailor
      strategies accordingly. For example, in the fashion industry,
      visual stimuli may be more relevant, while in the gastronomic
      industry, olfactory and taste marketing may be decisive.
      Incorporate measurement and data analysis in sensory campaigns It
      is essential that companies implement analysis tools to measure
      the effectiveness of their sensory strategies. Technologies such
      as neuroscience applied to marketing, artificial intelligence and
      big data analysis can provide valuable information on how
      consumers respond to different sensory stimuli, allowing future
      campaigns to be optimized.</p>
    </sec>
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      <p>
      </p>
      <sec id="autor">
        <title>AUTOR:</title>
        <p><bold>Marto Egido Piqueras</bold></p>
        <p>Centro de Estudios Universitarios (CEDEU).</p>
        <p>PhD in Law, specializing in Labor Law at CEDEU Center
        attached to the Universidad Rey Juan Carlos de Madrid and EAE
        Business School. Law degree number 267/2015, issued by the
        Ministry of Justice. Member number 3303 of the Bar Association.
        Journalist number 23600 of the Federation of Associations of
        Journalists of Spain. Member number 1641 of the Academy of
        Sciences and Arts of Television. Former managing director of a
        public radio station. Treasurer of the Board of Directors of the
        Spanish Network of Theaters, Auditoriums, Circuits and Festivals
        of Public Ownership. Ministry of Culture. Assistant to the
        Production Management, News Area. Antena 3 Televisión, S.A. Head
        of the Press Department of the Provincial Council of
        Albacete.</p>
        <p><ext-link ext-link-type="uri" xlink:href="mailto:m.egidopiqueras@cedeu.es">m.egidopiqueras@cedeu.es</ext-link> </p>
        <p><bold>Índice H: </bold>2</p>
        <p><bold>Orcid
        ID: </bold><ext-link ext-link-type="uri" xlink:href="https://orcid.org/0000-0003-0712-3225">https://orcid.org/0000-0003-0712-3225</ext-link></p>
        <p><bold>Google
        Scholar:</bold> <ext-link ext-link-type="uri" xlink:href="https://scholar.google.es/citations?user=I2Mah0sAAAAJ&amp;hl=es&amp;oi=ao">https://scholar.google.es/citations?user=I2Mah0sAAAAJ&amp;hl=es&amp;oi=ao</ext-link> </p>
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